Guitar Nine Columns

Displaying 1387 - 1428 of 4230

Enjoy over 25 years of staff columns, guest columns, interviews and more!

April-May 2005
Guitar Nine Newsroom

Guitar Nine Records April-May 2005 newsletter.

June-July 2005
Guitar Haus

The advantages to working with a label is the feedback you get while writing. On my previous CDs I was pretty much on my own so it was nice to get some feedback for a change.

June-July 2005
Guglielmo Malusardi

This is one of the great things about being an artist on Favored Nations. I am in control of my art. When I write songs, I never think about how long a song is - my songs and arrangements are done the way I envision it.

June-July 2005
David Martone

When to crank the gain, and when to back off, with Canadian guitarist David Martone.

June-July 2005
Mike Campese: The Fire Within

Mike Campese demonstrates that you can get many unique sounds out of just one scale.

June-July 2005
Tom Hess Opus 2

What separates those who do from those who don`t? Here`s how you can succeed where others have failed.

June-July 2005
Tony Koretz

Making an acoustic guitar sound good in the mix, part deux.

June-July 2005
Paul Kuntz

Guitarist Paul Kuntz is back, after an almost 7 year absence, to talk modes.

June-July 2005
Chris Juergensen

A whole lot of great information about how to get new uses out of the pentatonic scale.

June-July 2005
Jamie Andreas

Virtuoso classical guitarist and instructor Jamie Andreas can help you `manage` the process of changing bad playing habits.

June-July 2005
Tim Sweeney

Indie marketing guru Tim Sweeney puts a definition on all the things to which a creative musician may aspire.

June-July 2005
Christopher Knab

Music industry guru Christopher Knab presents his collection of quotes - reading them will be a college education.

June-July 2005
Guglielmo Malusardi

Music is the highest form of art. It is the most abstract art, while being the one that reaches deep emotions in all of us. Instrumental music is Pure Music. It gives to the listener only vibrations to get inspired and emotional.

June-July 2005
Randy Ellefson

Can you benefit from a four-year music education? Let`s explore the options.

June-July 2005
Guitar Nine

Northern California Guitar Tribute

June-July 2005
Guitar Nine

Following In The Footsteps Of Vai/Satch

June-July 2005
Guitar Nine

Cookin' Up Rock Blues & Country

June-July 2005
Guitar Nine Newsroom

Guitar Nine Records June-July 2005 newsletter.

June-July 2005
Guitar Nine

French Guitarist Features Instrumentals

June-July 2005
Guitar Nine

Jazz Artist Plays For The Fun Of It

August-September 2005
Mike Campese: The Fire Within

Mike Campese with more examples of getting many unique sounds out of just one scale.

August-September 2005
Mick Neil

A very challenging, but rewarding technique, with guitarist Mick Neil.

August-September 2005
Guitar Nine

Fleet Fingered Primate Gumbo

August-September 2005
Guitar Nine

Brilliant Macedonian Axeman

August-September 2005
Guitar Nine

Beautifully Intimate Fingerstyle

August-September 2005
Guitar Nine

Ripping Hard Rock From Finland

August-September 2005
Guitar Nine

Beer-Soaked, Old School Metal

August-September 2005
Jamie Andreas

Virtuoso classical guitarist and instructor Jamie Andreas is back discussing the importance of good practice habits.

August-September 2005
David Martone

A sermon on your tone spectrum toolbox, by Canadian guitarist David Martone.

August-September 2005
Tim Sweeney

How well do you know the people that come to your shows? Indie marketing guru Tim Sweeney thinks you should know them well.

August-September 2005
Randy Ellefson

Can you benefit from a four-year music education? Part 2 of the series.

August-September 2005
Guitar Nine

Instrumental Rocker Finds Niche

August-September 2005
Guitar Nine

Intense Brazilian Instrumentalist

August-September 2005
Guitar Nine

Greek Instrumentalist Eyes Future

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