Guitar Nine Columns

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Enjoy over 25 years of staff columns, guest columns, interviews and more!

December-January 2006
Guglielmo Malusardi

I don`t care if things could go wrong because the most important thing is that someone like Mike Varney believes in me and in my music.

December-January 2006
Guy Pople

Understanding how a key can be made to reveal its chordal treasure is invaluable knowledge.

December-January 2006
Guitar Haus

Since instrumental guitar music isn`t a big seller, it gets short changed quite often. As a matter of fact, finding the Guitar Nine website was a revelation to me. I didn`t realize there were so many musicians doing instrumental music.

December-January 2006
Guitar Nine

Cerebrally Extracted Quirky Ideas

December-January 2006
Guitar Nine

Blending His Diverse Influences

December-January 2006
Guitar Nine

Way Cool Improvisations

December-January 2006
Guitar Nine

Rollin' Down The Highway

December-January 2006
Guitar Nine

Flamenco, Balkan, Persian & More

December-January 2006
Guitar Nine Newsroom

Guitar Nine Records December-January 2006 newsletter.

December-January 2006
Guitar Nine

Dynamic Heavy Progressive

December-January 2006
Guitar Nine

Chunky Guitar Style Tone

December-January 2006
Guitar Nine

The Premiere Black Cowboy Band

February-March 2007
Kevin M. Buck

What`s the best way to organize vast amounts of musical information in your mind? Kevin Buck has some ideas for you.

February-March 2007
Robert Walker

It`s easy than you think to play the fool.

February-March 2007
Scott Allen

Regular rehearsals and practice sessions can help take you to the next level.

February-March 2007
Mr. Moe

Using simple guitar overdubs to great effect.

February-March 2007
Adam Moore

Stimulate your guitar practice and composition by finding alternative angles and methods of reinterpretation.

February-March 2007
David Martone

Direct from Brainworks, more useful tips on miking up a full drum kit, with Canadian guitarist David Martone.

February-March 2007
Tom Hess Opus 2

Neo-classical guitarist Tom Hess lays out an effective, step-by-step plan for developing speed.

February-March 2007
Tim Sweeney

Indie marketing guru Tim Sweeney asks, "Are you including your new and existing fans, or are you excluding them?

February-March 2007
Patrick DeCoste

Patrick DeCoste discusses the essential art of two handed muting.

February-March 2007
Christopher Knab

Music industry guru Christopher Knab shows there are only two grades on a music retail report card - either you sold records or you didn`t.

February-March 2007
Guitar Nine

Strong Melodies For Longevity

February-March 2007
Guy Pople

Revealing an altogether more subtle harmonic concept.

February-March 2007
Guitar Nine Newsroom

Guitar Nine Records February-March 2007 newsletter.

February-March 2007
Guitar Nine

Blend Of Rock, Soul & Blues

February-March 2007
Guitar Nine

Teen Power Thrash Instrumentals

February-March 2007
Guitar Nine

Young Prodigy Explores Jazz

February-March 2007
Guitar Nine

Specializing In Instrumental

April-May 2007
Guitar Haus

I like to listen to players who take you on a journey and have a clear direction and build-up to their solos. Kind of like a composition within the composition.

April-May 2007
Guitar Haus

I`ve never had a specific practice routine other than practicing everything out there! When I`m writing I tend to focus on any problems a song throws up, and I put a lot of work into melody and solo construction.

April-May 2007
Guitar Haus

With this album I attempted to express all my musical influences throughout the years. I expected the album to go straight to the listener without being too simple.

April-May 2007
German Schauss

Think in terms of five, as you work on these 3+2 ideas.

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