Interviews

Displaying 85 - 96 of 234
February-March 2003
Guitar Haus

I sent Lion Music a CD and they emailed me saying they were interested in signing me. I`m really happy to be with Lion. Some of the guitarists I grew up listening to are on that label, and that`s cool for me because it kind of lets me know that I`m finally on their level.

April-May 2003
Martin Schmidt

The main thing over here is, we have big media problems. People that do weirder kind of music, jazz, fusion or blues, there is not a big radio market for it, like there is in other countries. As a result of that, people don¥t get to hear the music and they don¥t show up at the gigs.

June-July 2003
Guitar Haus

There were a lot of different things that inspired this CD. Once I put the studio together, I just started recording what I wanted to hear. I love guitar and electronic music. I really wanted to blend the two together more than it`s ever been done.

August-September 2003
Guitar Haus

The first thing that you should care about for a CD release is the music. You have to trust in yourself as a musician and composer and try to come up with interesting music and then find a nice studio to record it in, or you can record at home if you have a nice home studio.

December-January 2003
Martin Schmidt

I just wanted to explore a mellower kind of psychedelic thing on the last record. There¥s some great stuff on it. It got really great reviews in the United States, all over the place. But the record company actually fell apart and now it¥s not even available.

February-March 2004
Martin Schmidt

I run my business, do my own booking, I do everything! We don`t have no managers, no agents, none of that. That`s what I tell these kids now. You`re better off making your own record, selling it at your own place and owning the rights to your own records.

February-March 2004
Guitar Haus

Of course besides the music, there is another very important part of your musicianship, which is to learn how to market yourself. It all starts with acting professional, being on time, learning your parts. Learn to ask for advice when you need it from players that have more experience than you.

February-March 2004
Guitar Haus

Try to become proficient in marketing, and develop a keen business sense. This includes your recordings, music book publishing, other merchandising endeavors, etc. The music industry is a very, very tough one, and it takes serious dedication and an unbelievable work ethic to survive.

June-July 2000
Guitar Haus

I never thought I`d be CEO of Virgin Independent, nor would I want to. I had material to release. No major or indie label wanted to hear about it, so I did it myself. And let`s face it: guitar music is a tough sell, so most majors won`t cut you any slack.

June-July 2000
Randy Allar

I love it at home, but you can`t play here. You can`t play in L.A. every night. We`re lucky to play once a week here. It`s just the nature of being a musician. People won`t pay to see you every single week. You have to travel and change your audience to be able to play every night.

April-May 2004
Guitar Haus

Being independent allows you to totally escape A&R, and do whatever you want. In the next three years I am releasing a solo acoustic guitar record, a fusion record, and a record with no guitar on it. I would never be allowed to do that with PolyGram. Being independent allows you to always be in control of your own music.

June-July 2004
Martin Schmidt

There`s very few radio stations who play surf, rockabilly or blues, together with current folk or roots music. It`s always Britney Spears, Christina Aguilera or the Backstreet Boys. I just wish that the kids coming up would have a choice to be able to hear everything on the radio and be exposed to that stuff.

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