Don't fall into the same old trap of convincing yourself that now is not the time.
The Guitar Player's Resource
Welcome to the February edition of Guitar Nine's on-line magazine. As referred to in our "Game Over" column, CD collecting has seemingly passed over from mainstream activity to audiophile pursuit during 2009, and to that end, quality-conscious music fans are quietly snapping up the last remaining available discs. As such, we've added 10 releases to the site in the past two months, including instrumental CDs by David Stockden, Bernard Alcorn, Patrick Butler, Borislav Mitic, Mr. Fastfinger, Svilen Mikov, Infinite Loop, Will Brady and the Melodic Soloists compilation. You can now listen to and order 1891 instrumental releases by 1181 different artists.
Don't fall into the same old trap of convincing yourself that now is not the time.
Guitar Nine Records February-March 2010 newsletter.
Paul Tauterouff breaks things up a little bit to talk about some rockin` rhythm guitar ideas.
Scott`s tackles the unteachable, and talks about adding bends, slides, and killer vibrato to your solo work
A mind game method for creating the right solo for the song.
Mike Campese helps you to increase your speed and technical facility.
All of the things you need to do, or practice, in order to reach you playing goals.
Inspired by Jeff Beck`s cover of "A Day In The Life"? Learn how you can play more melodically.
Ideas that make good melodic sense whether you play them fast or slow.
Explore some other (more advanced) variations of the same sequence, with Tommaso Zillio.
Zammit`s back with the first part of his challenging and beneficial chromatic exercises.
Ysrafel explodes a few myths about learning music theory.
Get the most you can out of the rehearsal time you have scheduled.
Canadian guitarist David Martone heads out to Eastern Europe and pieces together a mini-tour.
Where did they all go? Quality conscious, savvy collectors are grabbing up the last of `em.
Indie marketing guru Tim Sweeney helps you find the blind faith that was once there.
Music industry guru Christopher Knab tracks the shift from a "sales-to-a-customer" model to monetizing access to music.
Regardless of the economic slowdown, people tend to want to download a lot of their music for free, thus leaving artists without income that would be generated through royalties from CD sales.
Acoustically Combining Ethnic Influences
Ambient Neo-Progressive Cyber-Rock
