Audio Enhanced Column

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June-July 1996
Guitar Haus

Nowhere to go with ascending licks but up? Dan McAvinchey confronts the problem and gives you several ideas you can use today. Don't just take the easy way out and start descending either.

February-March 1997
Guitar Haus

Stop practicing with boring scales and start testing your fingers with melodic 'riffs' from Mozart, Bach, Beethoven, and more.

October-November 1996
Guitar Haus

Stop strumming those simple barre chords, and embellish your chordal work with licks and phrases that blur the distiction between rhythm and lead guitar playing.

August-September 1996
Guitar Haus

Break free of your limiting beliefs about pentatonic scales.

October-November 1997
Paul Kuntz

New Jersey guitarist Paul Kuntz is back and aside from a ravenous appetite, he`s got plans to teach you all about tuplets and fitting the notes to the rhythm.

August-September 1998
Ken Burtch

The beautiful part about the tempered music scale lies in it`s flexibility. One of Ken`s favorite tricks is to take one shape, and use it to move up or down the fretboard in a linear way. The similarities in chord shapes will allow you to do the same.

October-November 1998
Neal Nagaoka

Learn the essentials of the swept arpeggio from one of the masters of the technique.

October-November 2000
Mike Campese: The Fire Within

The official arpeggios of Guitar Nine Records - always play the 9th. Take it away Mike.

December-January 2000
Mike Campese: The Fire Within

Mike Campese is back with a follow up article with even more 9ths for your entertainment.

February-March 2001
Mike Campese: The Fire Within

A classical sounding etude designed to enhance the chops of any serious player.

April-May 2001
Gianluca Piersanti

Guitarist Gianluca Piersanti preaches a serious focus on phrasing.

April-May 2001
Scott Hughes

Break out of those ol` common scales with Mr. Hughes.

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