Kevin Ferguson outlines personal experiences about the hazards of playing a wide variety and mix of genres, along with some mitigation examples.
The Guitar Player's Resource
Kevin Ferguson outlines personal experiences about the hazards of playing a wide variety and mix of genres, along with some mitigation examples.
Kole supplies you, the songwriter/composer with three tools that will help you kick writer`s block `night in the ruts`.
Neo-classical guitarist Tom Hess with seven things you should do now to begin your music career.
Even the simplest idea can be rekindled with the help of little embellishments.
Can you sound musical, creative and original using the same scales as everyone else? Michael Shouse says yes.
Indie marketing guru Tim Sweeney on the art of goal setting.
Wicked Ways Guitarist Goes Solo
Guitarist From The Future
Instructor Readies Debut Instrumental CD
Powerful Rhythms, Sweeping Guitars
Guitar Nine Records June-July 2008 newsletter.
A peek at the Satriani instructional sessions, with Canadian guitarist David Martone.
Part four of Scott Allen`s exploration into the wonderful world of arpeggios.
Develop both dexterity and versatility with these fretboard exercises.
Here`s a closer look at playing 3 note per string scales as 16th notes.
Nick Kellie helps you to improvise through this standard chord progression.
An introduction to the most familiar way of analyzing and composing music for many of us.
The second part of successful blogging offers more promotion techniques and how to keep your readers.
Indie marketing guru Tim Sweeney on the seduction of new media web sites.
I think that the song itself is the most important thing, because what we remember after the listening of a track is not a shred phrase but the central theme.
I`m more interested in songs than in players. I love the last Coldplay album, because there`s great melody. There`s new guys like Derek Trucks and Joe Bonamassa, who really play well and say something emotional.
I love live performances. If they come out well, they capture the beauty of improvisation. That is one of the things that I love about music and this band, the moments of improvisation that change from gig to gig are wonderful.
Uplifting Combination Of Flamenco, Latin, Classical & Jazz
Post-Apocalyptic Acoustic Fingerstyle
Jazz Guitarist Strives To Reach Wider Audience
Speedy Melodic Shredder Releases New CD
Guitar Nine Records April-May 2008 newsletter.
Take a tour of the live performance capable Digitruck, with Canadian guitarist David Martone.
Use the entire neck of your axe with these three octave ideas.
Here`s how you can go about creating a whole host of chords quickly and effectively.
Successful blogs keep their status by following these 20 rules from the start and throughout their blog`s lifetime.
Zack Uidl completes his outline of key characteristics and work habits people look for in a studio/session musician.
Indie marketing guru Tim Sweeney discusses getting the `right message` out in order to build a fan base.
Delivering Impressive Guitar & Heartfelt Music
Bassist, Drummer Combine With Fusion Greats
Instrumental Heaviness With An Emphasis On Composition
Furiously Fast French Guitarist Seeks Producer/Sponsor
I thought it would be easier with a band with vocals, to push and sell it. It wasn`t any easier. I`m still selling more instrumental CDs than Skulgrinder CDs.
Part three of Scott Allen`s exploration into the wonderful world of arpeggios.
Guitar Nine Records February-March 2008 newsletter.
Great ideas for wicked tone, by Canadian guitarist David Martone.
You can get so much from exposure to unfamiliar music styles.
Zack Uidl outlines key characteristics and work habits people look for in a studio/session musician.
Mike`s ideas will help you move up the neck very quickly.
Kevin Buck tackles the most technically challenging piece ever written.
Web sites give people all over the world a central place to find band information. Maximize this resource and fans will want to return to your site.
Indie marketing guru Tim Sweeney takes on the overwhelmed artist with some helpful advice.
I like to compose instrumental songs, without the use of words, to communicate my emotions and my way of life. I`m not a singer, but I`m a guitarist, so I try "to speak" with my guitar.