New Articles and Featured Content

December-January 1996
Guitar Haus

I`ve sold thousands of copies of the "Dreamscapes" CD. You have to realize that 95% of all my sales come from traditional print advertising. Reviews don`t sell your product. Marketing and advertising do! I`m amazed at the amounts of money bands and artists put into the recording and manufacturing of their product and then have no idea on how to sell it. Marketing and promotion go hand in hand; you need to do both.

Saturday, November 30, 1996 - 19:00
December-January 1996
Guitar Haus

I was offered a couple of small record deals, but the contracts were ridiculous so I invested my own money, and it`s starting to pay off. At least this way you own your product.

Saturday, November 30, 1996 - 19:00
December-January 1996
Guitar Haus

A Javascript-powered worksheet designed to help a record label estimate costs, price CDs and cassettes, and compute potential profit for a recording project.

Saturday, November 30, 1996 - 19:00
December-January 1996
Guitar Haus

How to start and organize your own record label. It's a lot easier than you may think.

Saturday, November 30, 1996 - 19:00
December-January 1996
Guitar Haus

An introduction to the world of copyrights and publishing. It`s not hard at all to protect the songs you`ve written, and you may be surprised at the various ways your original compositions can earn money for you.

Saturday, November 30, 1996 - 19:00
February-March 2018
Guitar Haus

Chock full o` ideas for promoting and selling your new record, and building a fan base.

Saturday, November 30, 1996 - 19:00
December-January 1996
John Kiefer

An arrangement of the Tchaikovsky piece for solo guitar, in tabulature and standard notation.

Saturday, November 30, 1996 - 19:00
December-January 1996
Jeff Spencer

Learn some substitutions for those tried and true barre chords. How the knowledge of triads can help you come up with original sounding guitar parts.

Saturday, November 30, 1996 - 19:00
December-January 1996
Guitar Haus

Ideas for improving your recorded guitar sound.

Saturday, November 30, 1996 - 19:00
December-January 1996
Guitar Nine

Three Musicians Become One, United!

Saturday, November 30, 1996 - 19:00
December-January 1996
Guitar Nine

Blurring The Lines Between Jazz And Contemporary Rock

Saturday, November 30, 1996 - 19:00
October-November 1996
Guitar Haus

Call-and-response practicing to enhance your phrasing and composing.

Monday, September 30, 1996 - 20:00
August-September 2020
Guitar Haus

Don't fall into the same old trap of convincing yourself that now is not the time.

Monday, September 30, 1996 - 20:00
October-November 1996
Guitar Haus

Stop strumming those simple barre chords, and embellish your chordal work with licks and phrases that blur the distiction between rhythm and lead guitar playing.

Monday, September 30, 1996 - 20:00
October-November 1996
Kevin Hammer

Some creative uses of digital delay when writing or recording.

Monday, September 30, 1996 - 20:00
October-November 1996
John Kiefer

Tips for playing arpeggiated chord progressions using string skipping.

Monday, September 30, 1996 - 20:00
October-November 1996
Guitar Haus

Stuck recycling the same licks and riffs? Dig yourself out of your guitar playing rut and rediscover the instrument you love.

Monday, September 30, 1996 - 20:00
October-November 1996
Guitar Haus

McAvinchey dips into his magic bag to bring you 16 tips you can use today to improve your tracks.

Monday, September 30, 1996 - 20:00
October-November 1996
Guitar Nine

Session Guitarist Ready To Broaden His Appeal

Monday, September 30, 1996 - 20:00
October-November 1996
Guitar Nine

E-mail comments, testimonials, kudos, feedback and other observations from around the world.

Monday, September 30, 1996 - 20:00
October-November 1996
Guitar Nine

Promoting A Better Appreciation Of The Versatility Of Flamenco

Monday, September 30, 1996 - 20:00
August-September 1996
Guitar Haus

Not quite ready to release that record yet? You may be underestimating yourself.

Thursday, August 1, 1996 - 10:09
August-September 1996
Guitar Haus

More short lick ideas to kick-start your technique.

Wednesday, July 31, 1996 - 20:00
August-September 1996
Guitar Haus

Break free of your limiting beliefs about pentatonic scales.

Wednesday, July 31, 1996 - 20:00
August-September 1996
Guitar Haus

Studio and music business psychobabble explained.

Wednesday, July 31, 1996 - 20:00
August-September 1996
Arnold Schulman

Arnold Schulman discusses lyric writing for the beginner.

Wednesday, July 31, 1996 - 20:00
August-September 1996
Guitar Haus

How to use the song structure method to jump-start compositions.

Wednesday, July 31, 1996 - 20:00
August-September 1996
Guitar Haus

The use of delay in the studio.

Wednesday, July 31, 1996 - 20:00
August-September 1996
Guitar Nine

Reinventing Music As Sustenance

Wednesday, July 31, 1996 - 20:00
August-September 1996
Guitar Nine

Pointing Toward The Future Of Modern Music

Wednesday, July 31, 1996 - 20:00
June-July 1996
Guitar Haus

An article designed to help you on the road to achieving your dream of completing your first CD release.

Friday, May 31, 1996 - 20:00
December-January 1996
Guitar Haus

How to trigger inspiration by understanding what causes it, and more importantly, what causes it for you.

Friday, May 31, 1996 - 20:00
June-July 1996
Guitar Haus

A number of short lick ideas designed to kick-start your technique.

Friday, May 31, 1996 - 20:00
June-July 1996
Guitar Haus

Nowhere to go with ascending licks but up? Dan McAvinchey confronts the problem and gives you several ideas you can use today. Don't just take the easy way out and start descending either.

Friday, May 31, 1996 - 20:00
June-July 1996
Guitar Haus

Emulating your heroes is fine, but consider how far should you take it.

Friday, May 31, 1996 - 20:00
June-July 1996
Guitar Haus

Why setting levels properly will help you achieve optimal sound and clarity.

Friday, May 31, 1996 - 20:00
June-July 1996
Guitar Nine

What we are all about and why you care.

Friday, May 31, 1996 - 20:00
June-July 1996
Guitar Nine

Write-ups from artsts who have demonstrated a great appreciation for the guitar, and who strive to show what can be done with a guitar in the hands of a creative artist.

Friday, May 31, 1996 - 20:00

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