Absorb This Divergent Heavy Progressive Rock
The Guitar Player's Resource
Absorb This Divergent Heavy Progressive Rock
Rock Fusionist Promotes Latest Demo
Italian Rock Instrumentalist Looks For Label
Hard Edged Rhythms & Meditative Melodies
Austrian Instrumentalist Balances Melody & Virtuosity
Instrumental Rock From Kazakstan
Young New Yorker Aspires Towards First CD
How to develop the ability to use right hand figers along with the pick.
Steve Pappas is back with another piece for solo fingerstyle guitar originating from Ireland.
How to control a potentially rebellious picking hand.
Hard questions to ask yourself before your next recording session begins.
Virtuoso classical guitarist and instructor Jamie Andreas talks about a problem more common than anyone knows - and how to deal with it.
Music industry guru Christopher Knab talks about how to deal with a record industry in turmoil.
Indie marketing guru Tim Sweeney on three little words that have a powerful meaning in your music career.
Gain control over your instrument and improve your ear for harmonies.
Ace mastering engineer and guitarist Paul Abbott discusses how mastering can mean the difference between a good-sounding CD and a professional CD.
Greg Rapaport discusses advanced tapping forms.
Fatting up your recorded sound with real double tracking, by Canadian guitarist David Martone.
More ways to master the fretboard through the use of the pentatonic scale.
Hard-Driving Guitar Surf Music
From The Heart Of The Blues
Canada's Premier Smooth Jazz
Crossing The Line Between Acoustic & Electric
Instrumental Rocker Seeks Record Company
Revealing Heavy Metal Future Plans
Three Speedy Demo Tracks
English Instrumentalist Seeks Record Deal
I recently purchased an 18 track digital recorder made by Roland. I love having it and I`m amazed at the quality recordings with relatively little effort. I plan to do the third Delirious Tremor CD with it, as well as most future projects.
The gear we use is a major part of the Plankton sound. We¥re resting on a solid foundation of the classic sounds from the 60¥s and 70¥s, made famous by Hendrix, Cream and Led Zeppelin among others. It¥s basically Strats into various vintage Marshall amps and cabinets.
The ins and outs of DVD authoring - it may be easier than you think.
Greg Rapaport talks about developing some serious synergy between the picking and fretting hands.
It`s not Frankenstein or Dracula, simply more Greasy Fingers.
Virtuoso classical guitarist and instructor Jamie Andreas talks about the sticky topic that will energize your practice sessions.
Indie marketing guru Tim Sweeney on why perception may not always be reality.
Ace mastering engineer and guitarist Paul Abbott helps you avoid a muddy, undefined low to low-mid sound.
Music industry guru Christopher Knab talks about an overlooked area of importance, CD packaging.
How to personalize and colorize our old friend - the blues.
Learning the fretboard through scales by Mike Campese.
Using harmonics to get a great shimmering sound, from an award winning guitarist.
The changes to John Coltrane`s classic can result in inspiration for original solos.
Why you need a number of tones to impress, by Canadian guitarist David Martone.
Liquid Note Records (or LNR) was set up to principally cater for virtuoso instrumental guitar music - though that`s not to rule out the possibility that we`ll also release vocal albums in the future. LNR`s aim is to release albums every bit as good - or, dare I say it, better - than those released by the mighty Shrapnel.
The beauty of being an independent artist is that I don`t die if I don`t score a big record deal! I`ll still have a career. These days with stevefister.com, Guitar 9, and some independent distribution, I can grow and have more control over my musical fate. A new CD means a bright new day, with more to follow!
I`ve been playing guitar for 35 years, and still find it very challenging, and exciting. I work at it every single day, and realize that the real fun and spirit of this entire process of being a professional player is the `journey`, not the `end-game`. Sometimes I feel as if I am just getting started. The most important aspect of learning different styles of music, is one`s genuine love for that particular style.
Melding Jazz Guitar With Experimental Sensibilities
Classical Guitar Meets Electric Guitar
Illigitamate Offspring Of KISS Meet Godsmack
Professional Musician Makes Waves