New Articles and Featured Content

April-May 1999
Guitar Nine

Instrumental Blues, Funk & Jazz

Wednesday, March 31, 1999 - 19:00
February-March 1999
Guitar Haus

The odds of doing anything significant in the music business are long from the start, but artists who can't think beyond the short term have it thousands of times harder.

Sunday, January 31, 1999 - 19:00
February-March 1999
Tonya Rae

A few words of practical advice from Tonya`s new book "Hidden Secrets To Making And Promoting Your Music Revealed".

Sunday, January 31, 1999 - 19:00
February-March 1999
Gerry Magee

Gerry Magee continues his multi-part series on expanding your mind, as well as your fretboard, with an article on focusing your mental energy.

Sunday, January 31, 1999 - 19:00
February-March 1999
Peter Neri

Peter Neri on how to get those fingers (and thumbs) flying.

Sunday, January 31, 1999 - 19:00
February-March 1999
Don Lappin

Don Lappin discusses the endless possibilities of the 5-tone tapping technique.

Sunday, January 31, 1999 - 19:00
February-March 1999
Guitar Haus

The talented artists associated with Guitar Nine relate stories of their best, worst or most memorable live dates.

Sunday, January 31, 1999 - 19:00
February-March 1999
Guitar Nine

Surf Meets Jazz -- South Of The Border

Sunday, January 31, 1999 - 19:00
February-March 1999
Guitar Nine

Hi-Fidelity Six String Blast

Sunday, January 31, 1999 - 19:00
February-March 1999
Guitar Nine

Striving For The Big Time

Sunday, January 31, 1999 - 19:00
February-March 1999
Guitar Nine

Stoner Rock EP From England

Sunday, January 31, 1999 - 19:00
February-March 1999
Guitar Nine

Squeezing Vitamin "G" From Boundless Intensity

Sunday, January 31, 1999 - 19:00
February-March 1999
Guitar Haus

I was never a fan of direct guitar sounds but for some reason this album ("Zone") is full of direct guitar. All of the rhythm tracks, clean and dirty, were recorded direct. I find that this gives the punchiest sound out there. The Sans-Amp rack really helped also. It is one of those `plug and play` pieces of gear which tone just oozes out of.

Sunday, January 31, 1999 - 19:00
February-March 1999
Guitar Nine

Instrumental Guitarist Records Solo EP

Sunday, January 31, 1999 - 19:00
February-March 1999
Guitar Nine

Swedish Guitarist Plans To Leverage Skills

Sunday, January 31, 1999 - 19:00
February-March 1999
Guitar Nine

Instrumentals Highlighting The Low End

Sunday, January 31, 1999 - 19:00
February-March 1999
Guitar Nine

Microtonal Musician Explores 19 & 34 Tone Guitar Music

Sunday, January 31, 1999 - 19:00
February-March 1999
Guitar Nine

Eclectic Instrumental CD Oozes Raw Energy

Sunday, January 31, 1999 - 19:00
December-January 1998
Guitar Haus

Part two of our e-mailbag dump, answering some of the most commonly asked questions about releasing and promoting records.

Monday, November 30, 1998 - 19:00
December-January 1998
Paul Abbott

Paul Abbott discusses the phenomenon of sound.

Monday, November 30, 1998 - 19:00
December-January 1998
Gerry Magee

Highlighting the ways that other instruments and their players can profoundly effect us.

Monday, November 30, 1998 - 19:00
December-January 1998
Jeffrey Ryan Smoots

Putting yourself in the shoes and sticks of the drummer.

Monday, November 30, 1998 - 19:00
December-January 1998
Randy Allar

As far as instrumental goes, when you can`t sing yourself, you tend to write without a vocal part in mind. If you could add vocals to it, that would be one thing, but I decided that I would like the guitar to shine through on what I was doing. So I decided to make the project instrumental.

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Progressive Instrumental Guitarist Releases EP-CD

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Delivering Impressive Guitar & Heartfelt Music

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Two-Handed, Melodic Mood Music

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Guitar Company Releases Instrumental Artist Collection

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Heavy Metal Guitar Instrumentals

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Duo Creates Stylistic Melting Pot

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Hard Rock Group Looks To Enter The Popular Mainstream

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Dedicated Guitarist Plans Solo Instrumental Project

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Four-Piece Instrumental Group Releases First CD

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Instrumental Heaviness With An Emphasis On Composition

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Demon On The Fretboard Releases CD

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Guitar Student Demos Instrumental Compositions

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Furiously Fast French Guitarist Seeks Producer/Sponsor

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Authentic, Hard-Edged Blues/Rock

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Killer Texas Trio Releases First CD

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Instrumental Blend Of Rock And Fusion

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Melodic Songwriting Meets Intense Guitar Riffs

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Bassist, Drummer Combine With Fusion Greats

Monday, November 30, 1998 - 19:00
October-November 1998
Paul Kuntz

Guitarist Paul Kuntz is back with some thoughts on how to avoid that feeling of being `lost without a map`.

Wednesday, September 30, 1998 - 20:00
October-November 1998
Curtis

Kick-start your musical development with these essential tips from Curtis.

Wednesday, September 30, 1998 - 20:00
October-November 1998
Neal Nagaoka

Learn the essentials of the swept arpeggio from one of the masters of the technique.

Wednesday, September 30, 1998 - 20:00
October-November 1998
Gerry Magee

Gerry Magee begins his multi-part series on expanding your mind, as well as your fretboard, with the benefits of thinking like a composer.

Wednesday, September 30, 1998 - 20:00
October-November 1998
Guitar Haus

Don't make the mistake of thinking this is someone else's job. As an independent artist, the ball is in your court.

Wednesday, September 30, 1998 - 20:00
October-November 1998
Guitar Haus

For Europe my music is not aggressive enough and in the US I didn`t have anybody to present it to. So rather than making so-called industry contacts and "wait until it happens" I decided to do it myself, which turned out to be much faster and got me and my music much more respect. I highly recommend a musical statement such as this to all musicians who intend to be a part of this complex industry.

Wednesday, September 30, 1998 - 20:00
October-November 1998
Guitar Haus

I hope my music, although there are no words, communicates and reaches people on an emotional, spiritual and entertaining level. I try to incorporate various instrumentation, and contemporary compositional influences.

Wednesday, September 30, 1998 - 20:00

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